Sign in with you email address
Enter the email address you registered with to receive a reset link.
or with a social media account
Register and create an account
Originality, simplicity and emotional sensitivity. Those are the main
traits of Fernando Cobelo and his faithful ally, a well-sharpened pencil. Among both personal and
special projects, the Venezuelan artist, who put the nostalgia of his own homeland at the
foundations of the ‘ordinary’ subjects that animate his extraordinary artworks, opens himself up in
this interview, revealing his intimate essence.
When did you realize that you wanted to pursue an artistic
I was the typical child who spends his days drawing. In particular, I
remember that, when I was little, I really liked to reproduce the characters of the cartoons: I
grew up in Venezuela and, sometimes, it was hard for me to find the dolls I liked, so I used to
draw and cut those characters to play with them. Maybe, that’s where it all got started.
How could your drawings be described? Has your pencil’s line changed
over the years?
The personal style of each and every artist evolves with practice, and my case
isn’t any different. In each artistic phase, I’ve been happy and satisfied with my creative production.
Looking back, I obviously don’t recognize myself in some of my drawings, but I had to embark on this
journey in order to reach today’s style, and that’s for sure just a stop-over on my way to the style of
tomorrow. For me, what really matters is not loosing that simplicity and emotional sensitivity at the
foundations of my illustrations.
What has been the most important moment in your career?
Actually, there hasn’t been a particularly important moment, but a series of
situations and experiences that have led me right where I’m now. From a personal point of view, one of the
most important moments has been my departure to Italy from Venezuela. As to the professional side, I
mention my first collaboration: that’s been the moment I’ve understood that I could make a living out of my
You recently launched a collection entitled ‘The Universe and Me’, that
is made up of 2 pins. What’s your favourite accessory?
Well, I’m a fan of pins and I have some brooches on every jacket and backpack
that I own. At the very same time, that’s the accessory I easily lose as I’m very absent-minded.
You live in Turin, but you were born and grew up in Venezuela. What can
we find of your homeland in your artworks?
I think the nostalgia in my artworks is mostly the result of the distance of my
homeland and my people. In fact, I live every day with the nostalgia of not being surrounded by the
elements that I grew up with, without a feeling of sadness. It means I was as happy as I’m now.
Moreover, you presented a collection of limited edition printed
T-shirts, that transfers the illustrations of the series ‘Me & Myself’. What’s the item of clothing
you’d like to customize in your next capsule collection?
I’m thinking about realizing a collection of embroidered T-shirts, but for now
it’s just an idea.
With over 19,000 likes and 86,000 followers, both your Facebook page
and Instagram profile have a large following. How do you react to online critics? Which difficulties
have you had to face along your path?
If you know how to take critics in the right way, they can be constructive…so,
critics are welcome! The real struggle has to do with the lack of respect that people have for the images
found on the internet. They do think the rights are theirs just because they saved the pictures from
Facebook or Pinterest, eventually copying or using those images for profit. Unfortunately, social networks
don’t protect us artists under these circumstances.
You’ve worked for different international realities (among these
Huawei, Lavazza, Moleskine, Lonely Planet and Walt Disney Studios). What’s the experience that you
remember with love and tenderness?
Some of my most interesting works are the ones I did in collaboration with
Lavazza. I also have the books published by ‘Penguin Random House’ and ‘Ediciones Hidroavión’, or even the
benches donated to Comune di Fidenza, very close to my heart. I’m very happy and satisfied with the
collaborations I’ve done so far, with both small and big companies.
An advice for the young illustrators who are in search of their
I’d suggest trying and having a go, with strategy and seriousness, with fun and
intelligence. I’d suggest drawing inspiration and copying and practicing. I’d suggest visiting exhibitions
and talking with artists. Just never stop and be curious.
Lastly, you gave your contribution to the project of independent
culture for correspondence ‘Hoppípolla’. Would you talk about this collaboration?
The co-founder of Hoppípolla Paola Tartaglino and I had been talking about a
collaboration for a long time, and we finally made it happen. The subject of the November 2018 edition was
‘Tales and fables’, and so I created a visual story called ‘Fantastic Solitude’, that illustrates the
wonders of being a loner. We’re all extremely happy with the achieved results!
A wish for the future of the Italian creative scene?
I wish it will just keep on following the path it has embarked on, so many other
beautiful things will come into the world.
Ball Star leather low-top sneakers
Techno fabric padded jacket
Stereotype cotton t-shirt
East/West leather wallet with logo
This young Londoner is a graphic designer, art director and, most
importantly, one of the most ironic creatives of the Instagram era.
‘My body is my temple’. That’s one of the mantras of the Lithuanian
illustrator Egle Zvirblyte, who built her artistic career on important themes.
Log in with
or with your email
New at TheCorner.com?